The 1928 work, the oldest Balanchine piece in City Ballet’s repertory, imagines Apollo as a youth, still a little raw and vulnerable, experimenting with three muses, discovering music and dance. NEW ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. The myth of Orpheus and Eurydice is reimagined in this provocative, ...
NEW YORK — New York City Ballet opened its winter season Tuesday with the birth of a god. Or, rather, since the company uses the version of George Balanchine’s “Apollo” that skips the birth scene, the ...
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